Author: Aven Winslow

  • The Mystery of the Hidden Shrines

    The Mystery of the Hidden Shrines

    In Harandaal, the shrines remain…

    Wander deep enough into the meer, following deer paths and burbling streams, skirting around toadstool rings, and there you’ll find them.

    Tumbled piles of buttons and coins, shiny trinkets and smooth river stones. The shrines still tended—but by whom? And why?

    Then, of course, there’s the empty place setting at every Harandean dinner table—yet another offering whose origins have been lost. 

    But ask ten Harandeans who the Hidden Company were and you’ll get twelve different answers.

    Some say they were ancestors, long-vanished kin with names now forgotten.

    Others claim they were gods—or demi-gods, perhaps?—guardians of mountain and meadow, grotto and meer, who vanished when Harandaal fell.

    Still others insist they were ghosts. Or still are.

    Arcanus, the librarian of Harandaal, has spent his life ferreting answers from dusty scrolls and cracked leather tomes. There isn’t much, but what he’s found leaves a tantalizing trail.

    The first clue was found in a forgotten travel guide…

    A guide misshelved under Agricultural Methods. It contained a sketch of mysterious runes, which the author claimed were the lost language of the Hidden Company.

    Now, to anyone else, this might seem nothing more than a linguistic morsel—curious, perhaps, but easily forgotten. 

    But this faded sketch stopped Arcanus cold, for he knew what no other Harandean could.

    These runes weren’t unknown. 

    They were the language of the Aeloihim. (How Arcanus knows this is a tale only he can tell.) 

    Startled though he was, Arcanus assumed the author was simply mistaken. A well-meaning scholar encounters an unknown language and ascribes it to an equally unknown people (if the Hidden Company were, in fact, people…). 

    But some years later, Arcanus stumbled upon another text.

    This time, a brittle manuscript containing a map of something he wasn’t allowed to see. A map of the legendary Star Garden. 

    Though Arcanus had spent most of his life in the palace—directly beneath the Star Garden—he’d never once set foot in it. 

    He’d heard plenty of rumors, of course, each more outlandish than the last…

    Bats, large as roosters, were said to drink from night-blooming flowers. 

    Flowers with petals that, when crushed, glowed like slow-dying stars. 

    Some claimed the flowers even spoke, in a voice old as time. The Spirit Song, they called it.

    And to one who remembered this ancient tongue, the flowers would whisper where a great treasure lay buried. 

    Yes—each tale more outlandish than the last.   

    But the grand spiraling staircase to the Star Garden, which spanned the top of the massive red-rock butte from which the palace was carved, was barred to all but the Bryndiel royal family. 

    And yet, amidst the tall tales, one detail Arcanus knew to be true. At the heart of the Star Garden lay Harandaal’s most sacred site—the First Stone. 

    This is where the mystery deepens… 

    Inked in the margins of that forbidden map was a note, and if the anonymous scribbler was to be believed, the runes carved on the First Stone are the lost language of the Hidden Company.

    Runes that Arcanus, having pored over the map for many hours, knows are absolutely, unmistakably, the language of the Aeloihim. 

    Two sources. 

    Both linking the Hidden Company to a language never known in Harandaal. 

    Either two authors are sorely mistaken…

    Or Arcanus has discovered a link between the Aeloihim and the Hidden Ones that was never meant to be found.


    The trail ends here…for now. 

    But in the meers of Harandaal, a stream runs cold and clear. Follow it far enough, and you’ll reach the Waterfall of Mesmer.

    Some say there’s a cave hidden behind the water’s curtain.

    Still others claim the cave isn’t empty…

    See you next time.

  • A Witch’s Guide to Creative Flow

    A Witch’s Guide to Creative Flow

    Today, I want to take you behind the curtain of something I call Creative Seasons—a way of structuring my writing life + business that just plain works for my brain. Maybe it’ll spark some ideas for your creative process, too!

    If I had to sum up what I was doing before? Easy. “Absolutely was not working” and “sucking the joy out of life” pretty much covers it.

    I’d found a way to get the actual book-writing done, which was no small feat.

    But when it came to marketing those books? Let’s just say a great many tasks were perennially shuffled to next week’s to-do list. And then the next. And—well, you get it.

    The Sneaky Power of Theme

    Creative Seasons introduced two things I didn’t realize I was missing:

    Setting aside time for deep work (to borrow Cal Newport’s term), and tapping into my obsession with creative remixing.

    Trying to sprinkle marketing tasks throughout my week basically guaranteed they wouldn’t get done.

    Either I was too tired after sculpting tiny food (my current day job) or drafting my next book, or I’d do the marketing first and then be too tired to do my day job—which wasn’t really an option, since, you know…bills.

    Hence: another week, another list of untouched marketing tasks.

    With Creative Seasons, I now set aside one full week to do nothing but marketing. Yes, I still fill tiny food orders in the morning, but knowing that the rest of the day is fully reserved for one thing, and one thing only, shifted my POV in ways I hadn’t expected.

    For starters, it’s way easier for me to get into the zone.

    And when I’m in the zone? Wowza. It’s like sprinkling fairy dust on my to-do list!

    Instead of, “Ugh, I have to market my books,” it becomes, “Wait—I get to make cool books, and then I get to make more cool stuff to spread the word??!”

    It’s amazing how dimming distractions can dial up the level of satisfaction I get from a task, even ones that, in the past, I considered to be majorly boooring.

    There’s a Magical Reason, Too

    Do you remember when I compared my pen name to a magic circle—a space where “Author Me” can show up distinctly from “Personal Me”?

    There’s something similar at play with these week-long marketing boot camps.

    The week becomes a magic circle of its own. Within the circle, I focus on a very specific intention and let everything else fall away. And just like in ritual, that container allows energy to gather. It concentrates. And, like most magic…it surprises.

    Not only am I finally doing my marketing (a small miracle), the simple act of focusing has sparked unexpected story breakthroughs.

    For example, while creating this colorful grid of series clues, I hashed out an important subplot in The Magician & the Labyrinth of Yesterdays—a thread that will ripple forward into the yet-untitled book tied to the Wheel of Fortune card.

    I can feel it as I work: Marinating in a focused mindset, even with something “dull” like marketing, weaves those creative threads together, and one leads to the next, leads to the next…

    A Bored Witch Causes Trouble

    Which brings me to the second feature of Creative Seasons: Remixing familiar themes to create something fresh. (Remember my love of The Simpsons’ ever-changing couch gag? This is the witchy version.)

    In a nutshell, I set aside one marketing week per quarter, and each quarter gets a yummy new theme for my brain to chew on. 

    My love of remixing used to cause problems in my businesses, because every so often I’d get the itch to revamp my branding. Again. And again. (And again.)

    Not great if you’re wanting to build brand recognition. But without the refresh I’d start feeling antsy and bored. 

    Themed quarters to the rescue!!

    Now, instead of tearing everything down and starting over, I get to channel that revamp energy into a rotating aesthetic—new imagery, colors, symbols, and seasonal moods.

    Brain = happy. Business = (a little more) stable. Win-win.

    This quarter’s theme?

    In the coming weeks, we’ll explore the world of Twin Flames through this dreamy, midsummer lens. Think golden-hour walks in the woods or curling up with a good book to the backdrop of a summer storm. 

    If you’ve read The Fool & the Threads of Time, you might remember those little shrines, deep in the meer—and those empty place settings left for the Hidden Company. 

    (And if not? No reading homework required to enjoy what’s to come.)

    We’ll slip into the summer woods, looking for those shrines—looking for clues.

    Who are the Hidden Company? And why do the Harandeans still leave offerings, even though most believe they’re nothing but children’s tales? 

    Oh, and that shimmering in the distance, just visible above the canopy? That’s the Waterfall of Mesmer. Some say its waters conceal caves, and if the legends are true, one of those caves houses a very peculiar guest…

    We’ll explore all this and more in the weeks to come. 

    Welcome to Languorous Summer.

  • Romancing the Couch Gag

    Romancing the Couch Gag

    Growing up, my favorite part of The Simpsons was the intro. At that familiar theme song, I’d race into the living room, dying to know how they’d riff on the piling-on-the-couch gag this week. 

    That childhood fascination was a strong predictor of my grown-up creative work. The mash-up of the familiar + the unexpected turned out to be the catnip my brain craves. 

    I wasn’t conscious of this influence when, holed up in an Oklahoma City hotel room in 2022, I started writing what would become (after many, many iterations) The Fool & the Threads of Time

    But a book series about past lives is, at its core, a story of remixing. Same souls, different contexts.

    It’s the romance-novel version of the couch gag.

    Speaking of remixing…it was only in writing this essay that I remembered my favorite part of that Oklahoma City trip—going to Factory Obscura: MixTape, an interactive art space that had me dreaming in yarn, glitter, and tulle for weeks.

    I got to wander through a multi-room coral reef created entirely from textiles, an influence you’ll be able to spot in The Magician & the Labyrinth of Yesterdays (releasing in 2026).

    The Fragmentary Land of Memory

    Have you read Carmen Maria Machado’s memoir, In the Dream House?

    It utterly blew me away—both for Machado’s gut-wrenching honesty in recounting her experience of domestic abuse, and for the brilliant way she used narrative structure to reflect the fragmentation of memory and trauma. 

    While the story was roughly chronological, each chapter was told through the lens of a different narrative trope—for instance, “Dream House as Lesbian Cult Classic” or “Dream House as Inciting Incident.”

    That approach—using story structure to shape and reveal meaning—left a lasting impression on me. It illuminates a (sometimes uncomfortable) truth about the messiness of reality: There is no single way to understand a thing.

    A Tale of Two Tarot Readings

    I used to be a professional tarot reader, and in the 1,000-plus readings I did over the years, I will never forget two readings in particular. 

    Two new clients, booking roughly a week apart. At the center of both spreads was the Hierophant, but given how many readings I did every week, I didn’t think much of it. 

    Until I neared the end of the second reading, that is. 

    Neither client had mentioned the other’s name, so I hadn’t known that they knew each other, that they were, in fact, getting readings on the very same situation. 

    The spread was a startlingly clear map of first-person POV.

    There was the Hierophant at the center (the core theme), and a unique constellation of cards radiating outward. What one person saw as useful structure and clarity, the other experienced as dogma and control.

    Each of them was carrying a story that felt irrefutably true, but those truths were shaped by where they were standing.


    Next time, I’ll show you how this tarot-style framing shows up in my creative process—how changing the question, or the lens, can lead to dead ends…or open the door to mysterious new worlds

    See you soon.

  • I have a magical secret.

    I have a magical secret.

    Psst…did you know that I inserted a special type of magical character into my books?

    In an earlier post, I talked about the magic circle, which is the temporary boundary witches cast to create a container for their work. A space beyond space, a time beyond time. A place where the strange and the sacred can unfold…with guardrails.

    📖 Stories ripple beyond our control. They land in other people’s minds, they exist in the world, and sometimes they start to grow lives of their own.

    Grant Morrison is a comic book writer and occultist, and they’ve spoken openly about how elements of The Invisibles—characters, plotlines—began leaking off the page and into their life.

    They’re not alone.

    I recently met a fellow witch who confessed…

    …they were afraid to keep writing, because things they’d penned were happening off-page—and a little too often to be coincidence. So far, it was all good stuff…but what if that changed?

    🪄 To me, writing a book is like an extended spellworking. I’m putting so much of my intention, energy, and will into the project that it can’t help but be a magical act.

    But I knew, right from the start, that I’d need to put my characters through hell to tell the stories I wanted to tell (and to keep from boring you, dear reader, half to death).

    How to prevent unwanted magical bleedthrough beyond the book?

    Well, this is an ongoing experiment, but here’s what I did…

    I created a character inside theTwin Flames Series​, a character linked to me via a magic ritual. I call this my Cameo Character, and they have very limited page time—i.e., they’re not dashing down dark alleys, arm wrestling monsters.

    I then created a special notebook emblazoned with magic sigils. Sigils are my absolute favorite magical tool, because they work eerily well.

    Within the confines of the sigilized notebook, I write my Cameo Character’s story—the things I want to experience in my life (in other words, I’m casting a spell).

    Part of the experiment is this: when other people read the book, encountering my Cameo Character, does the magic get a boost? ¯\_(ツ)_/¯

    You better believe I’ll be tracking any strange occurrences in my grimoire!

    Want to meet my Cameo Character? They’re hidden in plain sight in the pages ofThe Fool & the Threads of Time.

    Thanks for wandering through the Crooked Door with me.

    Until next time, my friend.

    P.S. Step inside Quayside, the enchanted coastal town inThe Fool & the Threads of Time

  • What if your imagination was a place?

    What if your imagination was a place?

    Ever wonder where stories go once we imagine them? Not just on paper or glowing on a screen. I mean…beyond that.

    Back in the day, I devoured Fables, the comic series by Bill Willingham. The idea that fairy tale characters exist, tucked away in modern cities and remote forests, always gave me goosebumps, because it touches on a belief of mine.

    The boundary between fiction and reality? It’s never as solid as we pretend.

    The more I wandered through psychology, magic, and occult studies, the more I realized: those hidden corners? They’re real. Maybe not “real” like the chair you’re sitting in, but real in the way dreams, archetypes, and stories are real.

    That space is what some call the astral, a subtle layer of reality.

    And look, I get it—the word astral can sound a little floaty if you’re not used to it.

    But think about it: even when someone closes a book, that world doesn’t disappear. It still exists—in your mind, in the minds of others who’ve wandered through that fictional landscape, in that shared, intangible space we all contribute to, whether we realize it or not.

    That collective, immaterial space is the astral.

    It’s just that, in a steady process of disenchanting the world, humans have convinced ourselves that the only “real” that counts is the material one.

    C.G. Jung urged us to treat psychic contents as real—not because they exist physically, but because they ripple through our emotions, our choices, our relationships, impacting, not only our lives, but the world around us in profound ways.

    And isn’t that, in its own way, a form of real-ness?

    📺 If you watched Twin Peaks, Season 3, you might remember Dougie Jones—the eerily subdued version of Cooper, living an ordinary suburban life while the real Cooper was…elsewhere.

    Dougie (well, there were eventually two Dougies, but the same principle applies) was a tulpa—concentrated thought energy imbued with materiality, molded by intention and sustained by belief, until he existed independently of whoever first imagined him.

    The concept of a tulpa comes from Indian and Tibetan Buddhist traditions, where it refers to an emanation or manifested form, often created through advanced meditative or mystical practice. And then Western occult traditions, like Theosophy, ran with the idea, naming it a “thoughtform.”

    Every time someone imagines something, it leaves a mark on the astral.

    And the more people engage with that thing, the stronger—and more detailed—that imprint becomes.

    For instance, a cause starts as an idea, maybe one person dreaming of change, of a different future. That dream gets shared. It catches in someone else’s mind. And someone else’s.

    Soon, people are rallying behind it. Organizing. Speaking out. Creating art, symbols, movements. And even though it started as an intangible idea, it changes physical reality. Policies shift. Communities form. The world bends, even slightly, in a new direction.

    That’s the astral, feeding back into the visible world.

    Fictional worlds work the same way.

    ​The Twin Flames universe​ exists now, on the astral. The more readers wander through it, wonder about it, co-create with it in their own imagination, the more vivid and real it becomes.

    And it makes me wonder: as the astral Twin Flames becomes more fleshed out, will it get easier for me to write about?

    For example, in Book Zero: The Fool & the Threads of Time, and in Book One: The Magician & the Labyrinth of Yesterdays, you’ll encounter a place called the chrysling.

    🧐 As more people explore the chrysling, will my imagination have access to more details? Will that part of the world adopt a new level of vibrancy and depth? And if I translate that onto the page…and people read that version…will the cycle continue?

    I don’t know for sure. But I do know it’s delightfully brain-bendy to contemplate!

    I’ll let you in on a secret:

    I inserted a very special character into my books. Not quite a tulpa…but close.

    Next time, we’ll peek behind the curtain, and I’ll tell you why.

  • Is fate real?

    Is fate real?

    Ever had one of those moments where you cram your foot in your mouth or make a rash decision, only to wonder later…what got into me?

    We like to believe we’re fully in control of ourselves. It’s comforting to think that.

    But C.G. Jung pointed out a catch—the more convinced we are of our total control, the deeper, the inkier, the shadows in our unconscious become. Deny their existence, and they slip further underground, where they gain more power to shape our lives without our say so.

    😶‍🌫️ Jung called these hidden patterns complexes. But forget the pop-culture version of that word—a complex isn’t just “daddy issues.” It’s an emotionally charged cluster of ideas, feelings, and images, like a psychic splinter lodged beneath the surface.

    (Complexes are also potent energy generators that can be used in magic, but that’s a topic for another space. Curious? Check out my guide,All the Feels: The Inner Architecture of Spellwork.)

    Complexes often carry intense archetypal energy, those universal patterns we all know in our bones: love, betrayal, the hero, the shadow. When constellated (Jung’s term for “activated”), a complex floods our system with affect—emotional energy that can temporarily override our conscious will.

    It can feel inevitable. It can feel like fate.

    I am who I am. Life just is what it is. That’s how I’ve always been.

    But sometimes? It’s really a fragment of ourselves we’ve refused to examine, steering the wheel from the shadows.

    As Jung famously warned, “Until you make the unconscious conscious, it will rule your life and you will call it fate.”

    And yet, even though we can never be fully conscious of ourselves, we’re still responsible for what we do. That’s the maddening, magical paradox at the heart of being human.

    It’s also one of the obsessions behind my Twin Flames series.

    🔮 You might have noticed I’m weaving tarot symbolism into these stories.The Fool & the Threads of Time is Book Zero for a reason—the Fool card in the tarot is numbered zero, representing the beginning of a journey, full of possibility and risk.

    But this isn’t just an aesthetic choice. For me, the tarot is a map—a guide to the process of waking up inside our unconscious patterns. A way to recognize when archetypal forces flood our system… and when we might, just might, reclaim our choice.

    click the image to get the free guide!

    My characters wrestle with fate. With shadow—both their own, and the shadows cast by the many villains you’ll meet along the way. But they also wrestle with free will—the exhilarating, terrifying work of making conscious choices when it would be easier to sleepwalk through life.

    And holy hell, isn’t the siren call everywhere?

    Endless scroll. Clickbait. The commodification of our attention, carefully engineered to keep us numb, distracted, compliant…and profitable. 😵‍💫

    But story? Story invites us to wake up.

    Here at Through a Crooked Door, and within my books, you’ll find that I keep returning to those hidden intersections—fate + free will, shadow + light, truth + illusion.

    Because the boundary betwixt opposites is blurrier than most people think.

    (Something I live every day as a nonbinary person.)

    Take the “line” between imagination and reality.

    What if the worlds we imagine exist beyond the page?

    And what if they grow stronger the more people think about them?

    Next time, we’ll take a trip to the astral—a place where every story leaves its mark.

  • The real reason I use a pen name

    The real reason I use a pen name

    The internet makes introductions weird.

    We’ve gotten so used to clicking, scrolling, and baring all with virtual strangers that most of us barely question it anymore.

    Meanwhile, Big Tech lines their pockets with ad revenue earned from our free labor—the endless stream of content we create, consume, and trade for connection.

    Point being, when it comes to introducing myself, I like to be intentional about it. Do I go by Melissa or my pen name, Aven Winslow? You might wonder—what the hell does it matter?

    But the answer carries a seed of magic.

    (as do most things in my world)

    As a witch, when I cast a spell or perform a ritual, I often begin by casting a circle, an energetic boundary that creates a temporary space beyond space, a time beyond time, where all things are possible.

    🪄 I want to be intentional about what I include in my magical working, because this boosts the chance that I’ll get what I’m asking for, and not something wildly different.

    It’s like making soup: If you throw ingredients in a pot while blindfolded, you could end up with…well, anything. That’s a very different situation than purposely assembling the ingredients for minestrone or clam chowder.

    To continue our soupy metaphor, it’s also much harder to gather those ingredients without a container—in this case, a pot. Can you imagine making soup with everything dumped on the counter? Far from ending up with lunch, you’ll just have a mess to clean (on an empty stomach, no less).

    With magic, raising energy is more effective and less draining on the witch if that energy has a place to gather until you’re ready to use it.

    And, like soup, it’s less likely to make a mess—meaning, you won’t have excess energy ping-ponging about, powering who knows what.

    ☠️ Occultist Dion Fortune, in her book The Mystical Qabalah, wrote that many instances of “bad luck” could perhaps be attributed to this free-floating energy.

    What does this have to do with introducing myself?

    Well, no matter which name I use—Melissa or Aven—I’m still creating a persona, a magic circle that I inhabit when I’m online.

    We all do this, both offline and on. 🥸 We adopt personas—the interface between our inner world and the noisy world ‘out there.’

    C.G. Jung, who you’ll hear about a lot in my world, recognized that the persona could be both a help and a hindrance. We need a way to interact with others that smooths some of the inevitable hiccups of living in society with other humans.

    I mean, good god, can you imagine if the mail carrier dropped off some packages, but also divulged the sexy dream they had last night? In great detail? ThanksButNoThanks.

    I mean, more power to the mail carrier and their spicy nighttime escapades, but that’s probably best shared with someone they know well, not some rando like me who just wants their mail before retreating into their hermit cave.

    🎭 Personas have gotten a bad rap, commonly associated with being “inauthentic,” which presupposes that it’s better or “natural” or supportive of people’s health to make absolutely everything we think, feel, and do available for public consumption.

    And if we don’t overshare, we must be hiding something nefarious, something that could get us “canceled.”

    And to be sure, some people do hide nefarious things!

    But in my humble, witchy opinion, the solution isn’t mandating that everyone surrender their privacy.

    I don’t know about you, but I want to limit how much corporations get to colonize and profit off of my time, attention, and life experiences.

    Where personas can trip us up…

    …is when we mistake them for the sum totality of who we are. Personas typically contain the aspects of ourselves that society has deemed “acceptable,” and they’re a mere sliver of our gloriously messy, capital-S Self.

    I like to view my persona(s)—yes, we all have multiple personas, like outfits 👖 that we wear with friends versus co-workers and so forth—as magic circles.

    I am not the magic circle. The magic circle is a temporary container for my sprawling, wild, uncontainable Me-ness, but this circle-casting allows me to step into our shared space as Aven Winslow, with intention.

    That’s the reason I use a pen name.

    Aven Winslow isn’t a mask to hide behind—it’s a magic circle of its own.

    On a practical level, it also helps keep the worlds I create clear.

    If you’ve read ​my magical nonfiction​ under Melissa Tipton, that doesn’t automatically mean you’ll be into my ​super spicy romantasy​—and having separate magic circles (er, pen names) makes it easier for everyone.

    Through a Crooked Door (this email you’re reading being one installment) is part field journal + grimoire, and part rebellion against the algorithms trying to bulldoze us all.

    I’ll share aspects of my life that are relevant to my writing, like…

    ✨ My studies in occultism, Jungian psychology, politics, writing craft, etc., and how they relate to my books.

    ✨ My creative process—and often, how that dovetails with my magical practice. (Tarot and spells and rituals, oh my!)

    ✨ Juicy details about my characters, their world, and its lore and magical systems.

    This space is more than a digital soup pot of ones and zeros. It’s a circle where magic happens.

    If that sounds like your kind of place—welcome. 👋 I’ll see you on the other side of the Crooked Door.

    🚪Next time, I’ll be back with a story about fate, free will, and the hidden forces that shape us—both through the lens of my books and in everyday life.

    Until then, thanks for wandering this way, my friend.

  • I Made Tiny Food for My Book—Come See!

    I Made Tiny Food for My Book—Come See!

    Before I started writing The Fool & the Threads of Time, I already knew one thing about my main character, Ev. When life gets overwhelming, she bakes.

    And let’s just say…life gives her plenty of opportunities to dust off the old rolling pin.

    📚 Ev runs a quirky bookstore eternally on the brink of ruin in the coastal town of Quayside. And while she may be cursed with financial stress, heartbreak, and more supernatural complications than most, there’s one thing her store isn’t lacking: snacks.

    It has the best-stocked snack cart in all of Quayside, to be exact.

    Naturally, when it came time to release The Fool & the Threads of Time into the wild, I couldn’t resist combining two of my favorite things: crafting tiny, realistic food and bringing Ev’s world to life.

    👀 So, here’s a peek at the miniature snacks I hand-sculpted, inspired by the desserts from the book.

    First up? The snack cart loaded with treats + books!

    And when it’s time to curl up with a good book, what better spot than this cushy cat-eared chair??

    The last set is a woodland baking table, inspired by an art event Ev hosts at her bookshop. All the artists created pieces themed to a favorite childhood book, while Ev made coordinating desserts!

    And you know I had to make tiny editions of my book!

    So, there you have it—dispatches from my (not so) secret life as a miniaturist.

    P.S. I’m already squeeing over the tiny foods I have planned for the next book, The Magician & the Labyrinth of Yesterdays! 🥰

  • New Short Story!

    New Short Story!

    Need a short ‘n’ spicy distraction? 🌶️ I’ve just finished a companion story to The Fool & the Threads of Time.

    One night. One wish. One last chance to defy destiny.

    The vibes:

    👑 When your childhood crush is now the most powerful prince in the realm—and he’s waiting outside your chambers on a moonlit night

    🌙 Late night pillow talk with extra-strength pining (will they or won’t they???)

    🌶️ When you need a little cathartic angst with your spice


    You’ll also get an annotated playlist that shows you precisely when to hit play for each song, if you really want to set the mood. 😉

    You don’t need to have read the book to fully enjoy the story, but if you have read it, you’ll get an additional layer of clues.

    Enjoooooy!

  • May 4 Book Signing!

    May 4 Book Signing!

    If you’re in Missouri, I’d love to see you at Heart, Body and Soul, where I’ll be signing The Fool & the Threads of Time, my tarot-inspired, spicy romantasy novel, on Sunday, May 4, from 3-6pm. (1004 W. Worley St in Columbia)

    📚 You can bring your own copy, or I’ll have limited quantities of paperbacks and ebooks available. (You’ll get a download code for the latter.)

    Can’t make it to the signing? Get the book here.

    Is your idea of a good time…

    🔥 A crown prince brought to his knees (figuratively…and literally 🥵) by love at first sight, defying millennia of tradition to claim the shy, outcast emissary as his own?

    🔥 A deliciously spicy romance steeped in enchanted settings and sprinkled with alchemical secrets, a hidden tarot mythos, and a love hottt enough to set multiple timelines ablaze?

    🔥 A found family of magical misfits defending their beloved bookshop against a creepy self-help cult leader whose obsession with immortality could unravel the very fabric of time?

    🔥 An epic love story proving not even death can keep these soulmates apart…though it might require multiple lifetimes, bending a few cosmic laws, and one very persistent prince who’s determined to reclaim his true love—in and out of the bedroom? ❤️‍🔥

    Is that a yes, please? Then you’ll devour The Fool & the Threads of Time, where every lifetime is a new chance to not screw up your destiny…

    Free Goodies

    The first 50 people get to draw a Four Hallows* card from an enchanted box. (Okay, maybe it’s a cardboard box with a liberal sprinkling of glitter…)

    Each hallow reveals the magical skill you need most on your journey and how to unlock it. Will you draw the Chalice, Sword, Wand, or Pentacle—and what message does this hallow hold for you?

    *I initially mistyped this as “Foul Hallows” card. I mean, gosh, who wouldn’t want one of those?? 😏

    📆 Get an email reminder before the event

      Magical Merch

      I’ll also have gorgeous double-sided Moon Cat bookmarks and luxe character art postcards for purchase.

      📆 Get an email reminder before the event

        Sunday, May 4 from 3-6 pm

        Heart, Body & Soul (1004 W. Worley St, Columbia MO)

        Can’t make it to the signing? Get the book here.